The character of Charlotte, in the word of honor by Susanna Rowson?s Charlotte tabernacle, is seemingly naïve and in need of direction and rampart from the world she lives in. She suffers a sad draw for following a misguided path broaden by Mademoiselle La ruefulness, her teacher whom Charlotte trusts. Mademoiselle La grief is characterized as a woman who deliberately sends this younker naïve girl into the weapons of a man without thought or principal of the outcomes that lead to such(prenominal) dangers during this time period. Possibly Charlotte, who was raise in a Christian home, should suck up already kn profess what is obligation and what is ill-treat; Mademoiselle La Rue would have only been an pardner in crime to assist Charlotte acquire what she already cherished which was to obtain her dear relate Montraville. Aside from each the important characters? motivations that were either right or wrong in the eye of society, Charlotte?s fate was ordain to happen because of her own unconcerned mistakes caused by non trusting in her family and the lack of experience she had dealings with manpower and non by the fact that Mademoiselle La Rue misguided her intentionally. If feminism, in part, is described as a effeminate taking an enterprisingness in her life and promoting self-interest, then(prenominal) Charlotte for certain warranted this in her own life.
Perhaps the concept of world a feminist concerning Charlotte?s character wasn?t in the brain of the readership but emphatically she challenges that notion. (Yarbrough 1-3) For example, at the end of chapter matchless when Montraville slips a note into Charlotte?s hand, she accepts it. This acceptance notes that if Charlotte was uncomfortable with Montraville at all she would have not accepted the note at all. She would have torn it or disposed of it in nigh way. No amount of hike from Mademoiselle La... If you want to outfox a full essay, rewrite it on our website: Orderessay
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